Built in 1955 in Les Sables d’Olonne, the KIFANLO was classified as a historical monument in 1984. She is one of the 16 identical hull trawlers launched by the Batifort shipyard between 1945 and 1957. The Kifanlo is a tuna trawler made of wood with mixed propulsion. She is 16.37 metres long, with a tonnage of 27.51 tons, and is equipped with a 120 hp Poyaud engine. (more at https://oceam.org/presentation-du-kifanlo)
De par son héritage technique et son rapport à l’image, le cinéma immersif à 360° tente toujours de tenir des liens instrumentaux et méthodologiques avec le cinéma. Toutefois, l’observation et la pratique montrent que la modèle cinématographique ne correspond pas réellement et qu’il encombre même la progressive maturité des films à 360° immersifs.
Fictions for virtual reality are mostly conceived either in an entirely virtual environment or in a real environment with very little transformation. It is infinitely rare to find examples of sets designed and built specifically for a 360° experience. Building, rather than remaining purely virtual, raises complex questions about the organization of a ` »space to play » and therefore how to produce a narrative for immersion and create a 360° film grammar. We thus have created a first 360° set for the famous director Marc Caro, for whom the question of off-screen raised a very complex technical problem regarding lighting, visual effects, staging, blocking and acting. In this contribution we will show how this was solved and why the definition of a 360° narrative grammar is crucial. These are important intricacies that place the user-spectator in the optimal conditions to appreciate the experience.
D2.T9.S2. CULTURE / SHIFT THROUGH UBIQUITOUS COMPUTING/ SCRIPTING AND LINGUA FRANCA – Volume 2 – eCAADe 38 |
Laurent Lescop – 3D Viz – Parametric Design – Immersion
Continuer la lecture de Kifanlo part3 – Evaluating deformations from cut sections 
